the girl who died with me
Remind me never to ever ever talk about love with these people. Of course they do know everything – uh, Kaitie and Colin came with me to Au Sable after Mara's birthday, and I played The Decemberists some and Meg got curious about 'Leslie Anne Levine' and so I played them 'We Both Go Down Together,' and – augh.
Well, Colin starts singing along, okay. To me, like I am his love, of course, et cetera. And I just smiled, and then he said he knew that he'd never really be enough for me, me being the lower class girl or not. And that's when Mara, who is the only one who's actually ever been to Newhaven, said that depending on who you ask, Colin is the lower class girl.
MARA: – I mean boy!
COLIN: I'm not sure if I should be offended or not. Or maybe I am the lower class girl.
To which I said, well, at that rate, there wasn't ever going to be any sex between us, because unlike everyone else in the room, I was a straight girl. (Meg reminded me that she, too, is a straight girl, and is possibly the only one attending Watson Academy.)
And then we got back to the song, and Emma, she is so scary, she turns around and faces us.
EMMA: Well, of course she still clings to the petticoats of the girl who died with her. Because they were buried together, baby's hands wrapped in mother's skirts, that's how they did it back then.
EVERYONE ELSE: [shivering]
KAITIE: Oh, Kenzie, your friends. They're so. So. I don't even know.
We got into a discussion then about if the chimney sweep was a ghost and was therefore also the Chimbley Sweep or maybe not, and then somehow went full circle and ended up back on the conversation about dying for love. Which of course became the story of everyone making fun of me.
MEG: Regardless, really, of whether she got out of the way because she couldn't kill her baby or if it was because she really wanted him to die or if he really was going to kill her so his parents didn't kill them or – okay, it doesn't matter. There are about eight hundred different ones, there. It's not really worth it. Regardless of all of that, though, the idea of suicide for love, I can't decide if it's creepy or beautiful or both.
MARA: I think it's both.
JASPER: I think it's probably beautiful, except if someone dies for someone who doesn't deserve it.
MEG: You'd like someone to die for you. Just like I bet Water loves it when people die for her, because she's the kind of romantic type who wants that sort of disturbingly creepy affection. Sailors. They give me the creeps.
MARA: [Dennis Hopper voice] Zombies, man. They creep me out.
EMMA: Oh, shut up.
KAITIE: I love that movie – no, I think it's creepy, though, for the most part.
HILLARY: Would any of us actually do it, though.
MEG: [quietly] Yeah.
EMMA: Aww, one of us has to be sure to tell him –
JASPER: Wait, no, no. She's cheating. She wouldn't actually die. If Meg tried to die for love she'd just get revived or something.
MEG: [sly smile]
HILLARY: I really don't think it matters, though?
MACKENZIE: Yeah, none of us are in a romance novel.
HILLARY: But maybe – suicide for love isn't what it is we're talking about? It's suicide because of a lack of it? That's what people do a lot? And it's very sad.
MACKENZIE: Those people, I feel their pain.
MEG: Aww.
EMMA: Really?
(The sad thing is all of that is verbatim.)
We discover that Emma is uneducated in the ways of my romantic life, and she gets the whole story, and we're all talking about it, and then it progresses back to suicide. Somehow, it's determined that yes, if he rejects me I will die, only just almost, and instead I will return to Bay City and be Mara's assistant and have my Next Best Thing, Colin, because he is my handsome blind-as-a-bat lord who has fallen head over heels for me despite not caring that I am in love with someone else and always will be, and he is a great Next Best Thing because of how dearly I do love him and how I am attracted to him (all right so that part is true, he is a dear dear boy and I am attracted to him, but whatever) except then it gets too much for me, and, well, everyone dies in the end.
MACKENZIE: So I am no longer able to bear it, and fling myself off a cliff, possibly pregnant, possibly not, whatever.
COLIN: The Next Best Thing, he can't take it, and jumps off the cliff, and follows.
MARA: Leaving the role of tragic heroine, uh, tragically unplayed. I've also lost my assistant.
HILLARY: Ooh, I'll do it!
MEG: Except the role of the assistant is tragic.
EMMA: So someone has to die for Hillary too.
HILLARY: Oh. Well. Great. Perfect.
That's what our weekend was like. ¬_¬ We got in to other people's music, too, and I think that I have now listened to more Sunset Rubdown in two days than I ever had before in my life.
Well, Colin starts singing along, okay. To me, like I am his love, of course, et cetera. And I just smiled, and then he said he knew that he'd never really be enough for me, me being the lower class girl or not. And that's when Mara, who is the only one who's actually ever been to Newhaven, said that depending on who you ask, Colin is the lower class girl.
MARA: – I mean boy!
COLIN: I'm not sure if I should be offended or not. Or maybe I am the lower class girl.
To which I said, well, at that rate, there wasn't ever going to be any sex between us, because unlike everyone else in the room, I was a straight girl. (Meg reminded me that she, too, is a straight girl, and is possibly the only one attending Watson Academy.)
And then we got back to the song, and Emma, she is so scary, she turns around and faces us.
EMMA: Well, of course she still clings to the petticoats of the girl who died with her. Because they were buried together, baby's hands wrapped in mother's skirts, that's how they did it back then.
EVERYONE ELSE: [shivering]
KAITIE: Oh, Kenzie, your friends. They're so. So. I don't even know.
We got into a discussion then about if the chimney sweep was a ghost and was therefore also the Chimbley Sweep or maybe not, and then somehow went full circle and ended up back on the conversation about dying for love. Which of course became the story of everyone making fun of me.
MEG: Regardless, really, of whether she got out of the way because she couldn't kill her baby or if it was because she really wanted him to die or if he really was going to kill her so his parents didn't kill them or – okay, it doesn't matter. There are about eight hundred different ones, there. It's not really worth it. Regardless of all of that, though, the idea of suicide for love, I can't decide if it's creepy or beautiful or both.
MARA: I think it's both.
JASPER: I think it's probably beautiful, except if someone dies for someone who doesn't deserve it.
MEG: You'd like someone to die for you. Just like I bet Water loves it when people die for her, because she's the kind of romantic type who wants that sort of disturbingly creepy affection. Sailors. They give me the creeps.
MARA: [Dennis Hopper voice] Zombies, man. They creep me out.
EMMA: Oh, shut up.
KAITIE: I love that movie – no, I think it's creepy, though, for the most part.
HILLARY: Would any of us actually do it, though.
MEG: [quietly] Yeah.
EMMA: Aww, one of us has to be sure to tell him –
JASPER: Wait, no, no. She's cheating. She wouldn't actually die. If Meg tried to die for love she'd just get revived or something.
MEG: [sly smile]
HILLARY: I really don't think it matters, though?
MACKENZIE: Yeah, none of us are in a romance novel.
HILLARY: But maybe – suicide for love isn't what it is we're talking about? It's suicide because of a lack of it? That's what people do a lot? And it's very sad.
MACKENZIE: Those people, I feel their pain.
MEG: Aww.
EMMA: Really?
(The sad thing is all of that is verbatim.)
We discover that Emma is uneducated in the ways of my romantic life, and she gets the whole story, and we're all talking about it, and then it progresses back to suicide. Somehow, it's determined that yes, if he rejects me I will die, only just almost, and instead I will return to Bay City and be Mara's assistant and have my Next Best Thing, Colin, because he is my handsome blind-as-a-bat lord who has fallen head over heels for me despite not caring that I am in love with someone else and always will be, and he is a great Next Best Thing because of how dearly I do love him and how I am attracted to him (all right so that part is true, he is a dear dear boy and I am attracted to him, but whatever) except then it gets too much for me, and, well, everyone dies in the end.
MACKENZIE: So I am no longer able to bear it, and fling myself off a cliff, possibly pregnant, possibly not, whatever.
COLIN: The Next Best Thing, he can't take it, and jumps off the cliff, and follows.
MARA: Leaving the role of tragic heroine, uh, tragically unplayed. I've also lost my assistant.
HILLARY: Ooh, I'll do it!
MEG: Except the role of the assistant is tragic.
EMMA: So someone has to die for Hillary too.
HILLARY: Oh. Well. Great. Perfect.
That's what our weekend was like. ¬_¬ We got in to other people's music, too, and I think that I have now listened to more Sunset Rubdown in two days than I ever had before in my life.
